-
116 Lost In Penn Station gives you a warm brown and a wet-look gloss in one bottle. Brown reads richer on deeper skin tones and softer on fair ones.
What you get in the bottle
- Two ingredients removed, not the performance: DND 116 Lost In Penn Station keeps the pigment load and the high-gloss finish while leaving out HEMA and TPO.
- Made for the techs too: hands are in product all day, which is why ND stocks this line for the bench as much as the client.
- Self-levelling texture: less fighting the brush, fewer heavy coats.
- Colour choice is not the trade-off: the HEMA and TPO free line runs to 288 shades.
- Gloss that holds: the cured finish stays high-shine for the life of the set as long as the top coat caps the free edge.
Specifications
Spec Value Shade code 116 Shade name Lost In Penn Station Colour family Brown Finish Glossy Bottle size 0.5 oz Formula HEMA-free and TPO-free Item weight 145 grams Bottle glass Condition new Application steps
- Clean the plate: file to shape, ease the cuticle back, take the gloss off and wipe the nail down.
- Foundation: one thin coat of base gel, capped at the free edge, cured.
- Colour, coat one: DND 116 Lost In Penn Station goes on thin. Let it settle rather than working it, that is what the self-levelling texture is for.
- Colour, coat two: the second coat carries the pigment to full depth, cure again.
- Top: top gel over everything, cure, and take off the tacky layer if your top coat leaves one.
- Before they leave: cuticle oil, and note the shade number so the next fill matches.
Where this shade gets booked
- Autumn bookings: brown reads richer on deeper skin tones and softer on fair ones.
- Pairing work: it sits next to a nude base for an ombre fade.
- Almond and coffin shapes, where a glossy finish is what the client asked for.
HEMA-free against a standard gel
There is one decision here and it is a formula decision. Ordinary gel is built on HEMA and usually cures with TPO. DND 116 Lost In Penn Station has neither, and keeps the pigment load and the high-gloss finish that make the regular line worth stocking. Most salons start with the clients who have had a reaction and widen out from there. Patch test anyone with a known allergy.
If the set lifts early
Early lifting is almost always prep rather than the colour, and that holds for DND 116 Lost In Penn Station as much as any shade on the wall. Make sure the shine is fully off the plate, the cuticle is pushed back and the surface is dehydrated before the base goes on. Keep every layer thin and cap the free edge on the base, both colour coats and the top. A thick colour coat is the most common cause of a set that peels at the stress point in week two.
DND 116 Lost In Penn Station is stocked alongside the DND HEMA and TPO free collection, the whole gel and lacquer category and the full DND gel and lacquer wall.
116 Lost In Penn Station gives you a warm brown and a wet-look gloss in one bottle. Brown reads richer on deeper skin tones and softer on fair ones.
What you get in the bottle
- Two ingredients removed, not the performance: DND 116 Lost In Penn Station keeps the pigment load and the high-gloss finish while leaving out HEMA and TPO.
- Made for the techs too: hands are in product all day, which is why ND stocks this line for the bench as much as the client.
- Self-levelling texture: less fighting the brush, fewer heavy coats.
- Colour choice is not the trade-off: the HEMA and TPO free line runs to 288 shades.
- Gloss that holds: the cured finish stays high-shine for the life of the set as long as the top coat caps the free edge.
Specifications
| Spec | Value |
|---|---|
| Shade code | 116 |
| Shade name | Lost In Penn Station |
| Colour family | Brown |
| Finish | Glossy |
| Bottle size | 0.5 oz |
| Formula | HEMA-free and TPO-free |
| Item weight | 145 grams |
| Bottle | glass |
| Condition | new |
Application steps
- Clean the plate: file to shape, ease the cuticle back, take the gloss off and wipe the nail down.
- Foundation: one thin coat of base gel, capped at the free edge, cured.
- Colour, coat one: DND 116 Lost In Penn Station goes on thin. Let it settle rather than working it, that is what the self-levelling texture is for.
- Colour, coat two: the second coat carries the pigment to full depth, cure again.
- Top: top gel over everything, cure, and take off the tacky layer if your top coat leaves one.
- Before they leave: cuticle oil, and note the shade number so the next fill matches.
Where this shade gets booked
- Autumn bookings: brown reads richer on deeper skin tones and softer on fair ones.
- Pairing work: it sits next to a nude base for an ombre fade.
- Almond and coffin shapes, where a glossy finish is what the client asked for.
HEMA-free against a standard gel
There is one decision here and it is a formula decision. Ordinary gel is built on HEMA and usually cures with TPO. DND 116 Lost In Penn Station has neither, and keeps the pigment load and the high-gloss finish that make the regular line worth stocking. Most salons start with the clients who have had a reaction and widen out from there. Patch test anyone with a known allergy.
If the set lifts early
Early lifting is almost always prep rather than the colour, and that holds for DND 116 Lost In Penn Station as much as any shade on the wall. Make sure the shine is fully off the plate, the cuticle is pushed back and the surface is dehydrated before the base goes on. Keep every layer thin and cap the free edge on the base, both colour coats and the top. A thick colour coat is the most common cause of a set that peels at the stress point in week two.
DND 116 Lost In Penn Station is stocked alongside the DND HEMA and TPO free collection, the whole gel and lacquer category and the full DND gel and lacquer wall.